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Sedma sila

The New Yorker

The New Yorker is a weekly magazine with a mix of reporting on politics and culture, humor and cartoons, fiction and poetry, and reviews and criti
newyorker.com
New York, United States
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News Bussiness Tech Magazine Culture Books Humor
The New Yorker
12h
Daily Cartoon: Tuesday, February 10th
A drawing that riffs on the latest news and happenings.
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The New Yorker
15h
“The President’s Cake” Movie Review: A Neorealist Treasure from Iraq
The first feature by Hasan Hadi, set in 1990, depicts the agonies of war and dictatorship as experienced by a schoolgirl in the course of a high-stakes
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The New Yorker
17h
The End of Books Coverage at the Washington Post
What the closing of the Washington Post’s books section means for readers.
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The New Yorker
17h
“McMindfulness” and the Fate of Spirituality Under Capitalism
Thich Nhat Hanh saw mindfulness as a way to understand the “interbeing” between all forms of life, but its social dimension has been largely forgotten
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The New Yorker
17h
What to Do When Your Spouse Doesn’t Notice You’re Down
Make noise. A lot of noise. Imagine you’ve just encountered a bear.
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The New Yorker
17h
The Movie That Shaped the Former Border Patrol Commander-at-Large Gregory Bovino
Years before he led the Trump Administration’s immigration-enforcement effort in Minneapolis, Bovino saw the 1982 Jack Nicholson film “The Border.”
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The New Yorker
yesterday
The Woman Behind Japan’s Rightward Shift
How Sanae Takaichi, the country’s first female Prime Minister, won big in last weekend’s election.
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The New Yorker
yesterday
“Wuthering Heights” Movie Review: Emerald Fennell’s Adaptation
Margot Robbie and Jacob Elordi play a paper-doll Catherine and Heathcliff in an extravagantly superficial adaptation of Emily Brontë’s novel.
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The New Yorker
yesterday
Daily Cartoon: Monday, February 9th
A drawing that riffs on the latest news and happenings.
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The New Yorker
yesterday
Barry Blitt’s “Split Screen”
Eustace at the movies.
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The New Yorker
yesterday
Fab 5 Freddy, Still Fly
The Brooklyn-born artist has worn many hats: MTV host, graffiti artist, hip-hop maven. At a Harlem hat emporium, he talks about his newest gig: writing
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The New Yorker
yesterday
Téofimo López’s Swing Dancing
A young boxer follows in the footsteps of Muhammad Ali—busting a move to bust a jaw.
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The New Yorker
yesterday
Pierre Huyghe’s “Liminals,” Reviewed: A Monster at Halle am Berghain
In “Liminals,” a terrifying, overwhelming new installation, the artist erases the boundary between humans and the void.
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The New Yorker
yesterday
I Will Be Your Next President
You’re going to love my ability to nod and smile while people awkwardly thank me. White bread, straight ahead. That’ll be my slogan.
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The New Yorker
yesterday
Why We Can’t Stop Reading—and Writing—Food Diaries
Spending a day in someone’s kitchen can tell us about their relationship to time, money, pleasure, and place.
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The New Yorker
yesterday
Briefly Noted Book Reviews
“Leaving Guantanamo,” “The Wall Dancers,” “Eating Ashes,” and “The Infamous Gilberts.”
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The New Yorker
yesterday
Can Ozempic Cure Addiction?
GLP-1 drugs, which have helped some people curb drug and alcohol use, may unlock a pathway to moderation.
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The New Yorker
yesterday
The Babies Kept in a Mysterious Los Angeles Mansion
A wealthy couple obtained dozens of children through surrogates. Did they want a family, or something else?
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The New Yorker
yesterday
“Ode 1,” by Ricardo Reis
“There are no sorrows / In our lives / Nor joys either.”
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The New Yorker
yesterday
Jeffrey Epstein’s Bonfire of the Élites
His correspondence illuminates a rarefied world in which money can seemingly buy—or buy off—virtually anything, and ethical qualms are for the weak-mi
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