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Sedma sila

The New Yorker

The New Yorker is a weekly magazine with a mix of reporting on politics and culture, humor and cartoons, fiction and poetry, and reviews and criti
newyorker.com
New York, United States
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News Bussiness Tech Magazine Culture Books Humor
The New Yorker
22h
Daily Cartoon: Tuesday, December 9th
A drawing that riffs on the latest news and happenings.
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The New Yorker
yesterday
A Low Point of Human Inaction on Climate Change
The second Trump Administration’s assault on the environment has been as damaging as expected, but other developments this year give at least some hope
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The New Yorker
yesterday
This Bowl Has One Hundred Grams of Protein
This meal is full of macros. What are macros? Who cares? You don’t need to know. What you need to know is that you are the alpha of this fast-healthy-adjacent
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The New Yorker
yesterday
If You Quit Social Media, Will You Read More Books?
Books are inefficient, and the internet is training us to expect optimized experiences.
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The New Yorker
yesterday
Kissing Up at the Kennedy Center
All it takes is a little loyalty.
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The New Yorker
yesterday
Is the Supreme Court Unsure About Birthright Citizenship?
Maybe the Justices simply want to reiterate what the Court has already said—or maybe not.
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The New Yorker
yesterday
The Best TV Shows of 2025
This year, Hollywood’s decline was evident from its output—but a few great, conversation-starting shows made our critic crave the return of the water
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The New Yorker
yesterday
Daily Cartoon: Monday, December 8th
A drawing that riffs on the latest news and happenings.
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The New Yorker
12/8/2025
A New Afghan Bakery, in New York’s Golden Age of Bread
The city has vaunted sourdough loaves and endlessly hyped croissants. Diljān, in Brooklyn Heights, brings a classic Afghan flatbread into the mix.
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The New Yorker
12/8/2025
Letters from Our Readers
Readers respond to Adam Gopnik’s piece about the demolition of the East Wing, Jessica Winter’s essay about the so-called crisis of men, and Jill Lepore’s
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The New Yorker
12/8/2025
Briefly Noted Book Reviews
“Peacemaker,” “The Running Ground,” “Cursed Daughters,” and “Bog Queen.”
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The New Yorker
12/8/2025
Konrad Kay and Mickey Down, the Finance Bros Behind HBO’s “Industry”
Konrad Kay and Mickey Down failed as financiers—but they’re making a killing by depicting the profession on HBO.
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The New Yorker
12/8/2025
Marilyn Minter’s Rapturous Visions
The artist was shunned by the art world for being too vulgar. Her new show embraces the female body, with muses like Lizzo, Padma Lakshmi, and Jane Fo
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The New Yorker
12/8/2025
The Ancient Roots of Doing Time
The historical and archeological record upends the widespread belief that long-term incarceration belongs to the modern state.
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The New Yorker
12/8/2025
“Almost Home,” by Adrian Matejka
“Bob Kaufman loved San Francisco’s / gentle malaise, long views of bay / & insistent bridge, the ocean right after.”
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The New Yorker
12/8/2025
Baubles Melting on an Open Fire
A third-generation German glassblower and Santa look-alike struts his stuff at John Derian.
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The New Yorker
12/8/2025
The New Studio Museum In Harlem Is a Landmark in the History of Black Art
Reopening with work by Tom Lloyd and others, the museum is a manifestation of possibility, specifically in Black lives.
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The New Yorker
12/8/2025
“Of the People for the People but by Me,” by Lucie Brock-Broido
“What is it I will have left when I leave, little but the milkweed silk, / My inky fetishes, my spirit-papers and my urns.”
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The New Yorker
12/8/2025
Will Geese Redeem Noisy, Lawless Rock and Roll?
Critics love to make these kinds of breathless pronouncements. But with this band, currently on tour to promote its album “Getting Killed,” controlled
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The New Yorker
12/8/2025
Oliver Sacks Put Himself Into His Case Studies. What Was the Cost?
The scientist was famous for linking healing with storytelling. Sometimes that meant reshaping patients’ reality.
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