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Sedma sila

The New Yorker

The New Yorker is a weekly magazine with a mix of reporting on politics and culture, humor and cartoons, fiction and poetry, and reviews and criti
newyorker.com
New York, United States
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News Bussiness Tech Magazine Culture Books Humor
The New Yorker
15h
Building a State of Fear in “Extremist”
Alexander Molochnikov’s short film reinterprets an act of protest that called attention to the invasion of Ukraine, and led to the imprisonment of Sasha
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The New Yorker
15h
The Best Films of 2025
Our critics rank their favorite movies of the year.
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The New Yorker
15h
100 Years of The New Yorker
Celebrating a century.
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The New Yorker
15h
Guanyu Xu’s Powerful Photographs of Immigration Limbo
Also: Alvin Ailey’s annual City Center residency, the D.I.Y. virtuoso Jay Som, Alexandra Schwartz’s Shakespeare-movie picks, and more.
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The New Yorker
15h
How “The New Yorker at 100” Got to Netflix
The creators of the documentary, now streaming, on capturing the publication on film, why the magazine’s editing process is like a colonoscopy, and landing
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The New Yorker
15h
Are We Getting Stupider?
Stupidity is eternal—and more complex than we think.
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The New Yorker
yesterday
War Is Peace, the Dozing Don Edition
The outcry grows over Trump's undeclared war in the Caribbean.
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The New Yorker
yesterday
Pete Hegseth, in the Tank
The defensive Secretary of War.
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The New Yorker
yesterday
The Composer Making a Hip-Hop Musical About Anne Frank
Andrew Fox, the creator of “Slam Frank,” was disillusioned with American theatre. Then a viral debate about white privilege gave him a new sense of pu
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The New Yorker
yesterday
Daily Cartoon: Thursday, December 4th
A drawing that riffs on the latest news and happenings.
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The New Yorker
yesterday
MaestroClass: Learn Timeless Lessons from Experts of Yore
Develop a personal hair style with Einstein, cultivate advanced diplomacy skills with Cleopatra, and more!
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The New Yorker
yesterday
Does “Hamlet” Need a Backstory?
“Hamnet,” a new film directed by Chloé Zhao, is a fictionalized account of how Shakespeare’s famous tragedy came to be. Is it reductive or revelatory?
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The New Yorker
yesterday
Mikie Sherrill Intends to Move Fast
Sherrill, the governor-elect of New Jersey, argues that if Democrats don’t learn to work at Donald Trump’s pace, “we’re going to get played.”
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The New Yorker
12/3/2025
Why Is Trump Targeting Venezuela?
As Trump escalates his confrontation with Venezuela, questions mount about the line between counter-narcotics policy and a bid for regional dominance.
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The New Yorker
12/3/2025
Samuel Beckett on the Couch
When the young writer began analysis with Wilfred R. Bion, both men were at the beginning of their careers. Their work together would have a transformative
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The New Yorker
12/3/2025
The Best Books of 2025
Our editors and critics review notable new fiction, nonfiction, and poetry.
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The New Yorker
12/3/2025
Daily Cartoon: Wednesday, December 3rd
A drawing that riffs on the latest news and happenings.
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The New Yorker
12/3/2025
What America Can Learn from Its Largest Wildfire of the Year
When Dragon Bravo ignited, in Grand Canyon National Park, officials decided to let it burn. Then the fire spread out of control.
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The New Yorker
12/2/2025
Book Review: Olivia Nuzzi’s “American Canto”
Across social media, definitely. In her new memoir, “American Canto,” not so much.
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The New Yorker
12/2/2025
“Train Dreams” Is Too Tidy to Go Off the Rails
In Clint Bentley’s adaptation of a Denis Johnson novella, Joel Edgerton plays a builder of bridges who finds himself increasingly cut off from the modern
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