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Sedma sila

The New Yorker

The New Yorker is a weekly magazine with a mix of reporting on politics and culture, humor and cartoons, fiction and poetry, and reviews and criti
newyorker.com
New York, United States
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News Bussiness Tech Magazine Culture Books Humor
The New Yorker
15h
The Best TV Shows of 2025
This year, Hollywood’s decline was evident from its output—but a few great, conversation-starting shows made our critic crave the return of the water
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The New Yorker
15h
Daily Cartoon: Monday, December 8th
A drawing that riffs on the latest news and happenings.
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The New Yorker
20h
A New Afghan Bakery, in New York’s Golden Age of Bread
The city has vaunted sourdough loaves and endlessly hyped croissants. Diljān, in Brooklyn Heights, brings a classic Afghan flatbread into the mix.
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The New Yorker
20h
Letters from Our Readers
Readers respond to Adam Gopnik’s piece about the demolition of the East Wing, Jessica Winter’s essay about the so-called crisis of men, and Jill Lepore’s
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The New Yorker
20h
Briefly Noted Book Reviews
“Peacemaker,” “The Running Ground,” “Cursed Daughters,” and “Bog Queen.”
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The New Yorker
20h
Konrad Kay and Mickey Down, the Finance Bros Behind HBO’s “Industry”
Konrad Kay and Mickey Down failed as financiers—but they’re making a killing by depicting the profession on HBO.
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The New Yorker
20h
Marilyn Minter’s Rapturous Visions
The artist was shunned by the art world for being too vulgar. Her new show embraces the female body, with muses like Lizzo, Padma Lakshmi, and Jane Fo
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The New Yorker
20h
The Ancient Roots of Doing Time
The historical and archeological record upends the widespread belief that long-term incarceration belongs to the modern state.
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The New Yorker
20h
“Almost Home,” by Adrian Matejka
“Bob Kaufman loved San Francisco’s / gentle malaise, long views of bay / & insistent bridge, the ocean right after.”
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The New Yorker
20h
Baubles Melting on an Open Fire
A third-generation German glassblower and Santa look-alike struts his stuff at John Derian.
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The New Yorker
20h
The New Studio Museum In Harlem Is a Landmark in the History of Black Art
Reopening with work by Tom Lloyd and others, the museum is a manifestation of possibility, specifically in Black lives.
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The New Yorker
20h
“Of the People for the People but by Me,” by Lucie Brock-Broido
“What is it I will have left when I leave, little but the milkweed silk, / My inky fetishes, my spirit-papers and my urns.”
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The New Yorker
20h
Will Geese Redeem Noisy, Lawless Rock and Roll?
Critics love to make these kinds of breathless pronouncements. But with this band, currently on tour to promote its album “Getting Killed,” controlled
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The New Yorker
20h
Oliver Sacks Put Himself Into His Case Studies. What Was the Cost?
The scientist was famous for linking healing with storytelling. Sometimes that meant reshaping patients’ reality.
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The New Yorker
20h
The Show Must Go On: A Comic Strip by Adrian Tomine
A location shoot’s hierarchy of needs.
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The New Yorker
20h
What’s the Fastest Subway Line? (Yes, There Is One)
The M.T.A.’s new “Love Letter to the Subway” tells all about the underground system beloved—and hated—by New Yorkers.
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The New Yorker
20h
And Your Little Dog, Too, by David Sedaris
Two small dogs, both unleashed, rushed toward me, snarling, and one of them bit me on my left leg, just below the knee. It all happened within a secon
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The New Yorker
20h
What Happens When an “Infinite-Money Machine” Unravels
After Michael Saylor’s software company Strategy stockpiled hundreds of thousands of bitcoins, he was hailed as an alchemist. Then things went awry.
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The New Yorker
20h
Pierre-Emmanuel Lyet’s “Christmas Avenue”
The celebratory chaos of the season.
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The New Yorker
20h
How to Leave the U.S.A.
In the wake of President Trump’s reëlection, the number of aggrieved Americans seeking a new life abroad appears to be rising. The Netherlands offers one
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