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Sedma sila

The New Yorker

The New Yorker is a weekly magazine with a mix of reporting on politics and culture, humor and cartoons, fiction and poetry, and reviews and criti
newyorker.com
New York, United States
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News Bussiness Tech Magazine Culture Books Humor
The New Yorker
16h
“Wicked: For Good” Is Very, Very Bad
In the second of two movies adapted from the Broadway musical, Ariana Grande and Cynthia Erivo battle fascism, bigotry, and some fairly dreadful filmm
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The New Yorker
16h
Dick Cheney’s Long, Strange Goodbye
On seeing Rachel Maddow at the former Vice-President’s funeral, while Donald Trump threatened Democrats on social media with death by hanging.
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The New Yorker
19h
The Ghosts of Girlhoods Past in “Sound of Falling”
Mascha Schilinski’s dark, century-spanning ensemble drama sees four generations of women take up spectral residence in a German farmhouse.
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The New Yorker
21h
The World-Shifting Grooves of Fela Kuti
Jad Abumrad’s new podcast, “Fela Kuti: Fear No Man,” shows how one musician created both a genre and a way of challenging those in power.
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The New Yorker
21h
A Startup’s Bid to Dim the Sun
The gloomy arguments in favor of solar geoengineering are compelling; so are the even gloomier counter-arguments.
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The New Yorker
23h
Daily Cartoon: Thursday, November 20th
A drawing that riffs on the latest news and happenings.
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The New Yorker
yesterday
In “Pluribus,” Utopia Isn’t All It’s Cracked Up to Be
Artists and thinkers have long fixated on the notion of an ideal society—but these experiments, in fiction and in life, inevitably fall short. Why are
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The New Yorker
yesterday
“This World of Tomorrow” and “Oedipus” Dramatize the Power of the Past
Tom Hanks plays a time-travelling tech titan, and Mark Strong and Lesley Manville star in a modern tragedy.
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The New Yorker
yesterday
Lesser-Known Celebrity-Owned Alcohol Brands
Featuring Walton Goggins’s Weirdly Hot Jalapeño Tequila and Sydney Sweeney’s Pure White Rum.
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The New Yorker
yesterday
Family Estrangement Is on the Rise. Are Politics to Blame?
In recent years, severing ties with family members over political differences has become increasingly normalized. Is going “no contact” a necessary boundary,
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The New Yorker
yesterday
What We Talk About When We Talk About Dignity
The political philosopher Lea Ypi discusses four books about the inviolable quality of dignity.
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The New Yorker
yesterday
The Sikh-Separatist Assassination Plot
A murder in Canada and an attempted one in New York suggest a transnational campaign of violence that has imperilled Indian diplomacy with the West.
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The New Yorker
11/19/2025
The Best Books of 2025 So Far
Our editors and critics review notable new fiction, nonfiction, and poetry.
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The New Yorker
11/19/2025
Daily Cartoon: Wednesday, November 19th
A drawing that riffs on the latest news and happenings.
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The New Yorker
11/19/2025
A Development Economist Returns to What He Left Behind
Paul Collier spent decades studying the poorest countries on earth. Now he advises struggling towns in the place where he grew up.
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The New Yorker
11/19/2025
A Holiday Gift Guide: The Newest, Strangest Gadgets and Apps
Our columnist on digital culture suggests technology—or anti-technology technology—to give this holiday season.
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The New Yorker
11/19/2025
The Man Who Helped Make the American Literary Canon
At the beginning of the twentieth century, the country’s literature was widely considered provincial. Then Malcolm Cowley set about championing writers
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The New Yorker
11/18/2025
The Trump Administration Gives America the Bird
Every day is turkey day.
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The New Yorker
11/18/2025
How M.B.S. Won Back Washington
After the killing of Jamal Khashoggi, the Saudi leader became a pariah. He’s been slowly rehabilitated, and is now being celebrated in the Oval Office
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The New Yorker
11/18/2025
Lives in Upheaval After an Eviction, in “Last Days on Lake Trinity”
Charlotte Cooley’s short film follows three women as they navigate months of uncertainty after the shuttering of a Florida mobile-home park.
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